Author: Scott Madin

I'm interested in all kinds of things.

Penny Arcade, PAX, and “gamer culture”: a few more thoughts

I’ve written about Penny Arcade and the Penny Arcade Expo quite a few times before, though not more recently than about a year and a half ago on this blog. In fact, these old posts are a pretty good way to trace the development of my views on PA, PAX, and “gamer culture” (a nebulous term to be sure, but I think not a wholly meaningless one).

It would not be overstating the case to say that my opinions of all three things have gotten no more favorable since that last post. (Elizabeth Sampat’s Quit Fucking Going To PAX Already, What Is Wrong With You from last September is another worthwhile read.)

I’m still friends with a number of people who regularly attend PAX, some of whom are indie devs who exhibit there. I know that the “should you boycott PAX” question is a prickly one for some, and I want to try to be careful here not to blame individual choices for systemic problems. In any case, I think my views on whether PAX can be “reformed” or “improved” or “changed from within” have been clear for some time now: it can’t, because the people who run (and profit from, let’s not forget) it and actually most of the people who go to it either actively oppose any such efforts, or simply don’t care.

I’ve sometimes taken a harder line on things like this, and I certainly know and respect many people who still do — whose position is a flat “don’t go to PAX”. In the abstract, I think that’s the right choice, but practice is always messy. Ultimately, PAX isn’t going to stand or fall, or change or stay the same, on the choice of any individual to go or not to go. All the same, if you’re a ticket-buying attendee, I hope you’ll consider not going; the people in charge of the event do not deserve your money, and there’s a great deal else to do in Boston, and many offsite or after-hours chances to meet up with other games people who’ve come to town for PAX.

It’s important to remember that the problems with Penny Arcade, and with PAX, are symptomatic of problems in game culture writ large, which themselves are symptoms, or manifestations, or particular versions of societal problems. Most everything wrong with any of these microcosms is, ultimately, linked to the racist, patriarchal, capitalist structure of society.

But it’s a funny kind of symptom — we can see this in other sexist media, for example, as well — in that culture is a feedback loop, so the symptoms actually exacerbate and prolong the disease. A fever is a symptom of an infection, but imagine a virus that could survive at 98.6°F but thrived at 103°: the fever would only make the infection worse.

How do you fight that kind of disease — how do you diminish or break the cultural feedback loop? That’s a good question. If PAX does collapse, without any general improvement in gamer culture, something just as bad will likely take its place. To switch metaphors abruptly, audio feedback can be diminished by attenuating the signal at the input, the output, or both. Criticism of games, games culture, games media, and games events (and in particular of prominent events like PAX, E3, GDC, etc.), on grounds of diversity, inclusivity, and social justice has become much more vocal and widespread in recent years (meeting, of course, predictable resistance and backlash); and “counterprogramming” (though much of it is not positioned directly in opposition to the “mainstream” events) like Lost Levels, Different Games, No Show Conference, etc., also seems to me to be on the rise.

I don’t mean that to sound like blithe it-gets-better-ism; “things” are not “getting” better — many people are putting in real, hard work, often with little or no compensation, to make things better. I think probably the best way to “fix” the culture, insofar as we can, regardless of anyone’s individual decision on PAX attendance, is to try to support those critics and counterprogrammers, to join them in the work, or to give them what support we can, or to contend with those who try to tear them down in defense of the status quo.

Again, it’s no secret I dislike Penny Arcade and all their works, with considerable intensity. If their offices were shuttered tomorrow I wouldn’t feel the world had lost anything of value. I avoid visiting their website, and I definitely don’t go to PAX. But (if these are the only two possibilities, which they probably are not) I’d rather see a future in which PAX and Penny Arcade rumble on, perhaps a slightly smaller fish than they are today, in a somewhat bigger pond — but one full of clear, sparkling water and every kind of fish and water plant — than one where they float belly-up, but everyone keeps struggling through the same shallow, polluted muck.

6 Years

Hey look, Fineness & Accuracy is six years old today! And I don’t really post here much anymore. We’ll see if that changes; sometimes things go in cycles, but sometimes they end.

Anyway, six years is a decent span of time. Thanks to everyone who’s read and/or linked my posts.

Hopscotch 2013

I don’t think I wrote about it here, but last year I went to the Hopscotch Music Festival in downtown Raleigh, NC (my first time in that city, and in the South at all, actually). I hadn’t really heard of Hopscotch before I learned John Darnielle of the Mountain Goats would be playing a solo set, including a batch of one-time-only, acoustic, no-recordings-please, you’re-here-or-you’re-not piano covers of heavy metal songs. As one might imagine, that spiked my interest meter, so I did some more looking, and discovered a massive, three-day festival with an immensely diverse lineup — and several acts aside from Darnielle that I wanted to see live, including a late-night Wye Oak set and The Roots headlining. My college friend Aggie lives, works, and takes photos at rock shows down in the Triangle, so with the promise of seeing her again for the first time in years, and having her expert guidance around the local bands playing the free day parties, my decision was made.

(The promise of Darnielle’s set and the range of great other stuff also convinced my friend Melanie (@grammar_girl) to come down — but she was hit by a car and broke her hip in August, and although she’s now recovered just fine, she was in no shape to hike all over downtown Raleigh in September.)

I went down thinking it would be a one-time fun fling for me (after all, I’m not so young anymore), to see an unusually great lineup of bands I love and reconnect with an old friend. But, as anyone who knows me in person and/or follows me on twitter will probably recall re: my absolute inability to shut up about it already, I was basically camping their website for the ticket announcement from the day I got home. I got in on the early-bird sale for Hopscotch 2013, booked my flight and hotel shortly after, and convinced my friend Joel (who I’d talked into some concerts here in Boston, with reasonable success) to come along this year — and be extra careful when crossing the street until we’d gotten back.

This year was to feature Big Boi as a headliner, but he canceled a few weeks ago, and was replaced by Holy Ghost! and A-Trak on Friday night; Saturday, Spiritualized headlined. I actually skipped both headline slots this year (though I did see a couple of the City Plaza shows — Gross Ghost in the first spot on Friday, and Lollipops and the Breeders on Saturday).

Hopscotch is a great festival, both for seeing acts you already love, and for wandering around to see what sounds interesting, and discovering bands you’d never heard of; not to mention the amazing restaurants (chicken and waffles at Beasley’s is a must, Raleigh Times and the Busy Bee are great as well, and the Mecca is the Platonic ideal of a greasy spoon) and regional craft beers.

This year was every bit as great as 2012 was, and I can’t wait to see what next year brings (still crossing my fingers for Dessa, POS, or others — or better yet, all! — of the powerhouse Minneapolis hip hop collective Doomtree; Neko Case and Kelly Hogan; or Kendrick Lamar and Okkervil River, who played Boston Calling this past weekend instead. Just in case anyone from the Hopscotch organization is reading this!).

Shows I saw this year (probably leaving out some acts from the day parties, though):

Thursday

  • Joel was a finalist in the drawing to win a bike from New Belgium brewery, which got him a pair of tickets to the VIP party on Thursday, where we mingled some, had free food and drinks, and were asked to draw on the wall with staff-provided pencils. (He didn’t win the bike.)
  • Nathan Bowles, playing solo banjo in Fletcher Opera Theater, which has amazing acoustics. I loved his music (and he looked really familiar, I swear he played with another band I saw last year), though he ran long.
  • Midnight Plus One at the Lincoln Theatre, delivering noisy, energetic rock (an excellent counterpoint to the previous show).
  • Eros and the Eschaton filled perpetually crowded, sweaty dive Slim’s with fuzz and floating vocals.
  • Expo ’70 built soundscapes up in the Hive, above the Busy Bee.
  • I saw a little of The Rosebuds‘ performance of Sade’s Love Deluxe in the quite large Memorial Auditorium
  • And finally, I stopped in to see Wold (the main Hopscotch band page for them just says “Bio coming soon”; the genre guide for metal has a better description), in the black-box Kennedy Theater. Wold was certainly interesting, but drew a very small crowd, and their having performed only four times previously in their 10+ year career showed. When first the vocalist, and then the drummer — that is, the entirety of the band — unceremoniously walked off stage with the looped ambient noise still going around half past midnight, I didn’t stick around to see if they were coming back. On the plus side, I’m now on a very short list of people who can say they’ve seen Wold live. Perhaps there’s an online support group where we can all commiserate.

Friday

  • Spent most of the day at the Bitchfork day party, which centered queer women, and included Creedence Queerwater Revival (an all-female CCR cover band), Shirlette Ammons — who’d opened on the main stage before the Roots last year — and Sookee, and took place at a yoga/gymnastics studio, with aerial gymnastics performances during the music.
  • Tried to get into the Merge Records listening party, but the venue was at capacity and had a long line.
  • Word got around that Action Bronson had hurt his back and missed his flight, and as a last-minute replacement to fill his 11:30 slot at the Lincoln, they’d called in…Big Daddy Kane. Good lord. That was not a thing I had expected to hear!
  • Gross Ghost opening on the city plaza gave a great show.
  • Went back to Fletcher to see Lady Lamb the Beekeeper — but another last-minute cancellation, this time next act Night Beds, with no one to fill the slot, pushed her set out to 10:30pm. Instead, I stopped in to see Turf War at the Lincoln for a little while, then went to Tir Na Nog for some of Shirlette’s nighttime set.
  • At 10:30, back to Fletcher for Lady Lamb (for real this time), which was a phenomenal show. Spaltro performed her first song completely in the dark, all house and stage lights off; then the lights came up to show her, alone with her guitar, on the expanse of stage. The one sour note came not from her, but from a moment when, as she re-tuned between songs, she offered to answer questions from the audience, and one dude yelled “what do you look like naked?” At least (take notes, PAX!) the rest of the audience didn’t cheer or play along with that bullshit.
  • After that I went over to the Lincoln again, because passing up a chance to see Big Daddy Kane when the opportunity presents itself is not something I am prepared to do. I stayed for 30-40 minutes of that…
  • …and returned to Fletcher to catch most of one of the shows I was most excited for out of the whole festival: Mount Moriah performing their entire catalog (one EP and two LPs, the latter of which, this year’s Miracle Temple, is among the best releases of a year full of great new records). I was able to snag an open front-row seat for most of their self-titled album and all of Miracle Temple, and it was as incredible an experience as I could’ve asked for. I had considered trying to catch the end of Earl Sweatshirt‘s set afterward, but Mount Moriah ran a bit long, so I called it a night.

Saturday

  • The Afternoon Delight street party at Raleigh Times; the Food Truck Round-up at the Lincoln; Tir Na Nog, Slim’s, the Saturday Shredstorm at the Hive, and Trekky Records’ Day-Dream at the Pour House — and that was just the day parties. Tried to get in to Kings Barcade to see Flesh Wounds play Nirvana’s Incesticide, but there was a long, slow-moving line.
  • Then openers The Lollipops at the city plaza, followed by…
  • The Breeders, playing all of Last Splash. There was a guy a little ahead of me in the audience wearing a Sleater-Kinney shirt. The whole set was amazing.
  • Skipped out on the plaza after the Breeders, and checked out Saints Apollo at Tir Na Nog, but was unmoved by their Nice-Guy lyrics.
  • Over at the Lincoln again, however, I was very impressed by Solar Halos. Their Demos EP (on their bandcamp site) is, along with Lady Lamb’s Ripley Pine and Shirlette’s Twilight for Gladys Bentley, one of the records I’m definitely going to buy based on their Hopscotch show.
  • I got to Kings a little early for Fat Tony, so I caught the tail end of Cesar Comanche‘s set, which was also pretty good. Fat Tony’s set was great, despite losing one of my fancy etymotics earplugs (and what good is just one earplug? no good, is what).
  • A quick run back to the hotel for a backup pair of less-fancy, plain-old-foam earplugs later, I returned to Fletcher for Minnesota slowcore legends Low, a show a Carleton alum could hardly afford to pass up.
  • I could only stay for a few songs, though, because two more can’t-miss shows were coming up in rapid succession. First, next door at Memorial, John Cale, a man whose musical breadth and impact are such that “legend” doesn’t suffice. In that big auditorium, his sound was incredible, and I almost would’ve stuck out the rest of the night there if it weren’t for the final show of the night.
  • That final show was genre-defining stoner-metal band Sleep, another long-standing, but rarely-performing act. Unlike Wold (who among other things were, I think, not well-served by the Kennedy’s odd space, and might’ve done better at Slim’s). Sleep had the Lincoln packed with metalheads and weed smoke, headbanging in slow motion to their churning riffs, a near-perfect conclusion to the weekend.

Sunday

  • On Sunday the festival’s officially over, but there’s always a few parties left. This year I hung out a little at Slim’s annual Hopscotch Hangover as well as the Pour House’s post-Hopscotch party, after brunch at Joule (who now serve the brunch Poole’s used to). And then it was time to catch the cab to the airport, and head home to Boston, ready to sleep for as long as I possibly could.

On Adria Richards, PyCon, and SendGrid

As many people are already aware, a woman named Adria Richards, who worked at a company called SendGrid, was fired yesterday. Both Richards personally, and SendGrid as a company, have been under attack by individuals, and by Anonymous. These attacks are “retaliation” for the firing of a developer at Play Haven, by Play Haven, after that developer was ejected from the PyCon conference taken aside and spoken with by PyCon staff (Update: the accounts I initially read said he’d been removed from the conference, but that was evidently not the case. My apologies for the misinformation.) following Richards’ reporting to the conference that he was making inappropriate jokes in the audience of a talk.

A lot of virtual ink has been spilled already on this topic, and as a cisgender, hetero white man, whether or not my understanding or ideas are correct, my voice is not among the ones that need to be heard most. (This is also a big part of why I haven’t been blogging nearly as frequently as I used to.) That said, I wanted to list a few links covering the story-so-far, as best I’m aware of it, and make a few short remarks on the matter.

First, Richards’ own account of the incident at PyCon.

Next, a Venture Beat article discussing the incident and some of the fallout, including DDoS attacks against SendGrid.

Here’s the Facebook post where SendGrid announces firing Richards.

This post by Amanda Blum has been getting a lot of circulation (perhaps because, I uncharitably speculate, Blum leads with “I don’t like Adria Richards,” imputes to Richards a history of being “unreasonable”, and insists “This wasn’t about feminism, and she shouldn’t be allowed to sit her perch on the issue.” and “Adria reinforced the idea of us as threats to men, as unreasonable, as hard to work with… as bitches.”). I think there’s a lot wrong with it.

Here’s a further post on SendGrid’s blog about Richards’ firing. Interestingly, they make the same mistake I did yesterday: they interpreted a proposed change to the PyCon code of conduct as a confirmed change intended to prohibit public discussion, like that Richards engaged in, of harassment incidents. My friend @quarteringsea, however, pointed out to me that PyCon say the proposed change (under considerable discussion on their GitHub repository) was intended to target the kind of doxxing and attacks Richards has been subjected to, rather than her initial report:

(Further update: it is actually now completely unclear to me which behavior the change is meant to address, so I’m cautiously holding out hope, but PyCon really needs to do a better job clarifying the situation. A Code of Conduct should be unambiguous.)

Finally, Melissa McEwan has an excellent response at Shakesville to some of the most common criticisms of Richards’ actions; and my friend Courtney Stanton has a thoroughly documented piece at BuzzFeed linking these incidents to the whole disgusting history of sexism and harassment in the tech and gaming worlds.

Here’s what I want to say, and it’s almost certainly redundant with some of what I’ve linked above, but the right way to articulate what bothered me most about the common insistence that “she should have just asked them to stop” instead of publicizing the photo: There is no fucking reason the onus should have been on Richards to politely ask the men to stop. She had a right to expect professional behavior, and moreover the odds of a man responding constructively when confronted by a woman — especially a woman of color — over sexist behavior are, in our society in general and in the male-dominated, “proudly-politically-incorrect” tech world in particular, extremely low.

Maybe the persons in question would have responded calmly, apologized, and improved their behavior in the future, but anyone who knows anything about how women who complain are treated in male-dominated fields (allow me to again recommend Stanton’s BuzzFeed post above) knows that, without already knowing them personally, there is no reason to assume they would. The odds are much, much stronger that they’d be defensive, dismissive, passive-aggressive, or just plain aggressive, and quite possibly escalate their inappropriate behavior — and that they’d feel themselves perfectly justified in doing so, that no one around them would step in, and they’d later deny having done anything wrong. (For an excellent account of how this sort of thing often works, I recommend my friend Maddy Myers’ writing on the fighting game community.)

“In an ideal world,” as the device goes, would it likely be preferable for a person witnessing inappropriate behavior to try asking those responsible to stop before taking any other action? Well, in an ideal world, no one would be behaving inappropriately in a professional setting in the first place; but let’s set that aside and stipulate that yes, if you have a reasonable expectation that a polite admonishment and request will be effective in both stopping the current problem and reducing future problems, without compromising your safety, that’s the fastest, lowest-friction, best response. We do not live in a world where women, especially in male-dominated spaces, can reasonably have that expectation. Keeping it private doesn’t necessarily result in any less harassment, but making it public does make it harder for everyone else to deny it’s happening.

A final note: As my friend @lastnora pointed out, the “don’t publicly shame people, that hurts the community, let’s just deal with it internally” logic being deployed in a lot of responses to this incident is precisely the logic of abusers. Don’t make the family look bad, don’t make the church look bad, don’t make the [whatever group] look bad — but a group that protects hostile or abusive behavior is bad, and to try to keep it looking good is deeply dishonest. Nora’s tweets, referring to the proposed PyCon Code of Conduct language:

A thing I made: 2edStatBot, for all your Twitter old-school RPG needs.

I’ve been toying with the idea of, and over the weekend finally got around to finishing, a silly little Twitter bot, 2edStatBot, which generates a set of AD&D 2nd Edition stats — old school, 3d6 in order — picks a class recommendation based on a not-very-sophisticated algorithm (re-rolling if it can’t find a recommendation, which in practice means if every stat came out below 9), and tweets the result, every ten minutes:

The code is basically just Darius Kazemi’s Metaphor-a-Minute, except with all the metaphor-related guts replaced by random-number-related guts, and like Darius’s bots, it’s running on Nodejitsu (in fact, since Nodejitsu requires apps to respond to HTTP requests, I figured that endpoint might as well do the same thing as the Twitter bot, so if you want, you can go get a D&D character there, too).

I’ll upload the source code here shortly; it’s rather hacky but it works. I should probably put it on some public source control repository or something, but I never did figure out git. At some point I plan to make it respond to mentions, so you could tweet “@2edStatBot roll me a ranger” and it would respond with an appropriate set of stats.

Update 2013-12-25: Well, I finally got around to figuring out github and uploading the 2edStatBot source, nearly eleven full months after the bot went live. Whoops! Here it is, if you’d like to take a look: https://github.com/smadin/2EdStatBot

Oh look, it’s time to talk about gamer culture and rape culture again.

I guess I don’t need to elaborate here on how I feel these days about Penny Arcade and their bicoastal, twice-yearly paean to conspicuous consumption, PAX Prime/PAX East. They represent some of the worst of gamer culture, they gleefully profit from misogyny and rape jokes, and their convention (increasingly, it seems) disregards its own “no booth babes” rule, making women feel less welcome and encouraging (presumed male) attendees to see all women, booth babe, cosplayer, developer, PR, or “regular” attendee, as sexualized objects there for men’s pleasure.

It’s distressing, then, but hardly surprising to hear that, at a party thrown by Mojang’s Markus “Notch” Persson, noted fedora enthusiast, indie-game-scene darling, and creator of the wildly successful Minecraft, a female game blogger seeking some relative solitude in a corner was accosted, harassed, and sexually assaulted by a male party-goer. Understandably upset, she fled the party, and when her friends sought out security, they were greeted with shrugs.

Some salient points:

  • The party was paid for by Persson himself, not by Mojang. It’s not entirely clear to what extent he organized it, and to what extent the party venue handled those details.
  • The party took place during PAX Prime, but was not an official PAX event, nor was it at the PAX venue. However, as it was a party thrown during PAX by a video game celebrity; it’s reasonable to assume that the majority of attendees were PAX-goers.
  • A notable exception: some attendees, distinguished (according to Ky, the blogger who was assaulted) by red wristbands, were women hired from a modeling agency.
  • Lydia Winters, Minecraft’s “Director of Fun” commented on Ky’s blog post clarifying that Persson, not Mojang, had thrown the party and that the models were hired by “the production company” to “have more girls there to up the girl to guy ratio. It’s a pretty typical club procedure.” (Winters confirmed via twitter that it was in fact her who posted that comment.)
  • It’s not clear, then whether hiring the models was in fact Persson’s idea, or whether he knew about/approved it. (One would imagine that, if planning were left to the venue or some other third party, given that Persson was paying, he’d at least have been asked to sign off on the expenses.)
  • Persson himself, about three hours ago, tweeted:
  • In an update at the top of her post, Ky emphasizes that she doesn’t feel PAX or Mojang is responsible in any way for what happened, and that in her view “The ONLY person who should be held accountable for what happened is the asshole himself.” She also states, “Also this post isn’t about nerd or gamer culture or blaming those cultures at all, this could happen in any community, at any party, to anyone.”

There are a few points I want to make about this.

[Author's note: I added a few sentences and split the next paragraph into two, because I wasn't entirely comfortable with its original tone.]

Perhaps predictably, I disagree with Ky that this has nothing to do with PAX or with nerd/gamer culture. She is obviously the final authority on her own experience, and just as obviously the man who attacked her is the only one who bears direct (let alone legal) responsibility for that crime. But from my perspective, one shouldn’t be too quick to discount cultural and environmental factors that make predators feel they’re free to operate in a given situation — and that make bystanders more likely to shrug, to see the warning signs of predatory behavior as “normal”.

It’s certainly true that things like this can and do happen “in any community, at any party, to anyone” — rape culture is endemic, and no subcultural niche is entirely free of it. However, gamer culture — fueled by Nice Guy (often shading into MRA) bitterness over high-school bullying and lack of “success” with girls (an historical injustice elevated to mythic proportions in nerdism) — clings to especially overt misogyny and objectification. One need only look at the vitriolic response to Anita Sarkeesian‘s proposed (now underway) “Tropes vs. Women in Video Games” video series, the myriad examples at Fat, Ugly, or Slutty?, or of course the Dickwolves debacle, to see this in action.

PAX encourages and revels in these attitudes — reflecting the views (so far as one can surmise from their actions) of its founders and their core fanbase — but it certainly doesn’t start with PAX, or with Penny Arcade. Society’s misogyny has always been an element of nerd culture, and nerd culture’s tendency to be self-referential, insular, and distrustful of “outsiders”, makes it self-reinforcing. Critics, whether from without or within the subculture, are almost invariably dismissed out-of-hand as “not understanding”, not being “real gamers”. And people growing up in gamer culture — especially young men — have spent a decade, or two, or three, absorbing these attitudes with very little real challenge to them.

So inasmuch as gamer culture is tainted by rape culture, and PAX is one of the purer expressions of contemporary gamer culture, yes, this is about PAX. This is about the kinds of people who felt welcome at PAX, and what they thought they could get away with. It’s about the constant presence of “booth babes” at gaming conventions, and the still abysmal representation of women in mainstream games. It’s about the kind of people who think it’s reasonable to “up the girl to guy ratio” by hiring models to attend a party, because they think their (presumed male, presumed heterosexual) attendees neither possess nor need to be encouraged to develop any social skills, and thus are and will remain repulsive to women not paid to tolerate them. (There are, of course, far too many problems with this to unpack in a single blog post.) And it’s about what all this, taken together, in constant dosage over many years, teaches people who didn’t even notice they were being instructed: women are decorative objects, there for men’s enjoyment; they have no significant interests of their own; they are not skilled; they are not peers; if they are not attractive to men they are failures; they are merely things for men to desire and despise. (If you think I’m overstating, now would be a good time to go look again at those links a couple paragraphs up.)

Now, almost everyone — even in the comments section of her blog post, a rarity here on the interwebs — has reacted to Ky’s story with horror and disgust. But almost everyone (including Ky herself) has directed that horror and disgust solely at the individual assailant. It’s easy in this case, because “grabbing a stranger’s hand and putting it on your penis” is behavior (in point of fact, a crime) even most MRAs will recognize as beyond the pale. Oh, that one guy did something really unacceptable! He’s terrible, nothing more to see here. But given what we know about sexual harassment and assault, it’s highly likely that he harassed more than one person that night, and furthermore that he wasn’t the only one who did. How many of the models paid to be there put up with harassment and perhaps assault? How many women party-goers were harassed by sexist nerds who thought harassing the models was “part of their job” (nope!) and extrapolated from there that it was an acceptable way to behave toward any women at that party (again, nope!)? Rape culture teaches men that they’re entitled to sexual gratification from women, whether visual, verbal, or physical; hiring models to “mingle” with partygoers declares the same thing explicitly.

Ky’s assailant is the only case from that party, that we know of, where someone decided he was entitled not only to sexual gratification but to enforce his claim to that gratification with violence — and make no mistake, all sexual assault is violence — and that makes him a relatively egregious example. But that doesn’t make him an isolated, unconnected, free-floating Bad Person whose worldview, impulses, and actions come from nowhere and cannot be interrogated. His attitudes came from somewhere, and for every person like him who physically sexually assaults someone, there are dozens or hundreds who hold basically the same views, absorbed from basically the same sources, who “only” harass and intimidate and make gamer culture hostile to everyone who isn’t heterosexual, cisgender, white, able-bodied, and male.

Finally, here’s the kicker. If past incidents in gamer culture are any indicator (Dickwolves, Fat Princess, Duke Nukem Forever, Resident Evil 5, the Borderlands 2 “Girlfriend Mode” controversy, and countless others) there will be no lasting consequences. A few more people will be alienated from gamer culture, but the majority of gamers will brush it off, and continue to support the institutions that promote these attitudes. The gaming press — even the smart, progressive gaming press — will write about Penny Arcade and PAX and Gearbox and Mojang to talk about their press releases and upcoming games, and will not mention the kinds of things that happen under their various auspices. No lasting opprobrium will attach to any of their names, and the culture will not change. People, even smart, thoughtful, progressive people who understand rape culture and how it works, and work tirelessly to break down race, gender, and sexuality barriers in gamer culture, will keep attending PAX and buying games produced by developers with toxic, misogynist studio cultures. The overwhelming sense will be that yeah, that stuff was bad, but that’s all in the past. Like the security guard in Ky’s story: “Okay? What do you expect me to do?”

That seems like a harsh way to close, but I don’t know what else to say. A lot of people have been patient and polite about this for a great many years, and the results have been rather underwhelming. Nerd culture resists change, and perceives efforts to bring change as attacks, no matter how moderate, no matter how careful the phrasing. I think the best hope is to work to make explicit what it is the pillars of the subculture support: to label their behavior indelibly as sexism, and to finally attach some modicum of shame to behaviors that should always have been seen as shameful. Challenge harmful structures, don’t support them. Don’t let praise for misogynist companies and institutions go unquestioned. make all but the most committedly sexist nerds uncomfortable voicing their boy’s-club attitudes, and make it socially unacceptable for the majority to associate with the hardcore misogynists.

Update: Now cross-posted at Shakesville and The Border House!

No, We Aren’t Going To Run Out Of Oxygen

Or, newspapers really need better science reporters.

I first saw this Bangor Daily News story linked at Shakesville, but I think it’s making the rounds generally.

The article discusses a study from the Bigelow Laboratory for Ocean Sciences of decreased phytoplankton reproduction rates in the Gulf of Maine — which, to be clear, is a real issue, and cause for some concern — and extrapolates the study’s findings into an apocalyptic-sounding threat to the atmosphere of the entire planet: “such a change in organisms at the bottom of the planetary food chain and at the top of planetary oxygen production could have disastrous consequences for virtually every species on Earth, from lobsters and fish that fuel Maine’s marine industries to your grandchildren.”

And it’s certainly true: if phytoplankton reproduction rates across the world’s oceans had dropped to 20% of their normal level, and showed no sign of bouncing back, that would pretty much be a doomsday scenario.

But it turns out that while ocean warming and acidification are still real long-term problems, there’s very little reason to expect that these findings have any major implications outside the actual area they cover. The Gulf of Maine’s problems are specific and localized; the world’s oxygen supply is not in immediate danger.

It happens that both my parents are marine invertebrate zoologists; my father is the director of research at the Woods Hole Oceanographic Institution after spending decades in the biology department researching zooplankton and jellies, and my mother is a science writer in the education department. I asked them about the Bangor Daily News article and the study it discusses, and they said I could quote their responses (sent to me, amusingly, within about five minutes of each other).

Here’s Dad:

It’s only about the Gulf of Maine, where more sediment runoff from recently undammed rivers and some increase in temperature are affecting phytoplankton photosynthesis. It  may have an effect on fish populations in the Gulf in years to come, but there isn’t direct evidence of that yet. The flushing of sediment from the rivers will probably stabilize in a year or so, and water conditions would get clearer in the Gulf. Climate related changes in ocean temperature and acidity may start to affect productivity in some places but won’t affect overall oxygen production.

And Mom added:

[I]n the Gulf of Maine, maybe lobster and groundfish (cod or haddock) will decline in a couple of years, but it might be transient, if the sediment gets flushed out in a year or two. We don’t really know yet how the ocean’s organisms will respond to slightly higher temperatures (maybe some phytoplankton will grow more under those circumstances.).

We’re not going to run out of air. I DO think humans are having an effect on the ocean. But we don’t know the extent yet, or all the implications, so that’s why we need to keep watching.

I’m concerned about overfishing, rising temperatures, and acidification. However, U.S. fish stocks are becoming increasingly well-managed, and are very carefully monitored, so overfishing along U.S. coasts is not so serious as it was[.]

They also checked with a phytoplankton expert at WHOI, who offered some remarks (with the caveat that this is a personal perspective, and not a scientific analysis of the findings):

I think this is a extremely interesting finding that provides a wake up call about the kinds of impacts of environmental change can have on marine ecosystems. In general I think we tend to be too cavalier about ocean impacts. … The impacts noted in the paper are large, but the findings so far are local-to-regional in scope. I don’t think anyone is responsibly ready to project this indicates a massive die off of primary producers at much larger scales. … I think it’s a good bet a lot of those nutrients will be used by phytoplankton eventually. This kind of shift could seriously impact the spatial structure of the ecosystem and how it functions, with potentially big effects for particular species, etc. … but it probably won’t mean anything like a full scale shutdown in productivity or large scale decrease in O2 production or anything along those alarmist lines of reasoning.

My thoughts on this are, mainly, that it shows the importance of better science reporting. The impending-doom spin here seems to have come almost entirely from the newspaper, not the study or the lab that produced it. Responsible news organizations need to ensure their science reporting is accurate and accessible (not always an easy task, I realize, and certainly not made easier by shrinking newsroom budgets and staff). Sensationalist reporting like this may sell papers in the short term, but in the long run — when the dire consequences don’t materialize — it erodes the lay public’s trust in science reporting, and ultimately in science itself, and it often makes people of good will, who earnestly directed others’ attention toward the bad reporting because they trusted they’d been given accurate information, into targets of mockery and derision by the more cynical.

There are very real reasons to be worried about the effect of climate change, and other consequences of human action, some linked and some not, on the ecosystem of the oceans, and it’s certainly true that overall phytoplankton health in the oceans is of crucial importance to the global food chain. But specific, local effects in the Gulf of Maine related to high sediment runoff in recent years are not the right place to look for the worst dangers, and focusing too much on this kind of article can cause us to miss or ignore bigger problems which might not seem as spectacular at first.